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图示山体主峰的西北坡地形特征是

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    城乡差别(urban and rural difference)、字如其人、领导机关(leading body)、法律责任。、《说说唱唱》、上党梆子、左右开弓(double flank shots)、五音不全、全国人民代表大会常务委员会、赵树理文学

  • [填空题]图示山体主峰的西北坡地形特征是

  • 查看答案&解析 点击获取本科目所有试题
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  • [多选题]下列植物生活史中,为配子减数分裂的植物有( )。
  • A. 团藻
    B. 硅藻
    C. 鹿角菜
    D. 紫菜

  • [单选题]What’s the cause of the crosswalk safety problem according to the test?
  • A. There’re many cars and buses on the road.
    B. Pedestrians are careless.
    C. Crosswalks are crowded.
    D. Drivers don’t give way.

  • [单选题]上述法律有的由全国人民代表大会通过,有的由全国人民代表大会常务委员会通过。全国人民代表大会常务委员会是全国人民代表大会的
  • A. 领导机关
    B. 常设机关
    C. 执行机关
    D. 监督机关

  • [单选题]Which of the following is NOT mentioned about the swarm of bees in the passage?
  • A. They crowded like a black cloud.
    B. They shocked and terrified Andy.
    C. They tried to attack Andy in a mass.
    D. They made Andy stay in hospital for two days.

  • [单选题]CA few years ago I had an “aha!” moment regarding handwriting.
  • A. I had in my hand a sheet of paper with handwritten instructions on it for some sort of editorial task. It occurred at first that I did not recognize the handwriting,and then I realized whose it must be. I finally became aware of the fact that I had been working with this colleague for at least a year,maybe two,and yet I did not recognize her handwriting at that point.
    B. It was a very important event in the computerization of life—a sign that the informal. Friendly communication of people working together in an office had changed from notes in pen to instant messages and emails. There was a time when our workdays were filled with little letters,and we recognized one another's handwriting the way we knew voices or faces.
    C. As a child visiting my father’s office,1 was pleased to recognize,in little notes on the desks of his staff,the same handwriting 1 would see at home in the notes he would leave on the fridge—except that those notes were signed “dad” instead of “RFW”.
    D. All this has been on my mind because of the talk about The Rise and Fall of Handwriting,a book by Florey. Sire shows in her book a deep concern about the fall of handwriting and the failure of schools to teach children to write well,but many others argue that people in a digital age can’t be expected to learn to hold a pen.
    E. I don’t buy it.
    F. I don’t want to see anyone cut off from the expressive,personal associations that a pen still promotes better than a digital keyboard does. For many a biographer,part of really getting to know their subjects is learning to read their handwriting.
    G. What some people advocate is teaching one of the many attractive handwritings based on the handwriting of 16th-century Italy. That may sound impossibly grand—as if they want kids to learn to draw by copying classical paintings. However,they have worked in many school systems.
    H. 51. Why was the author surprised at not recognizing his colleague’s handwriting?
    I. He had worked with his colleague long enough.
    J. His colleague’s handwriting was SO beautiful.
    K. His colleague’s handwriting was SO terrible.
    L. He still had a 1ot of Work to do.

  • [单选题]阅读下面的文章,完成16—19题。才子赵树理
  • A. 汪曾祺
    B. ①赵树理是个高个子,长脸,眉眼也细长。看人看事,常常微笑。
    C. 他是个农村才子。②有时赶集,他一个人能唱一台戏。口念锣鼓,拉过门,走身段,夹白带做还误不了唱。他是长治人,唱的当然是上党梆子。严文井说赵树理五音不全,其实赵树理的音准是好的,恐怕倒是严文井有点五音不全,听不准。他爱“起霸”①,也是揸②手舞脚,看过北京的武生起霸,再看赵树理的,觉得有点像螳螂。他能弹三弦,不常弹。他会刻图章,我没有见过。他的字写得很好,是我见过的作家里字最好的。字是欧字底子,结体稍长,字如其人。
    D. 他的稿子非常干净,极少涂改。他写稿大概不起草。我曾见过他的底稿,只是一些人物名姓,东一个西一个,姓名之间牵出一些细线,这便是原稿了,考虑成熟,一气呵成。赵树理衣着不讲究,但对写稿有洁癖。他痛恨人把他文章中的“你”字改成“妳”字(有一个时期有些人爱写“妳”字,这是一种时髦),说:“当面说话,第二人称,为什么要分性别?——‘妳’也不读‘你’!”他在一篇稿子的页边批了一行字:“排版、校对同志请注意,文中所有‘你’字,一律不准改为‘妳’,否则要负法律责任。”
    E. 赵树理是《说说唱唱》副主编,实际上是执行主编。他是负责发稿的。有时没有好稿,稿发不出,他就从编辑部抱一堆被审掉的稿子回屋里去看,不好,就丢在一边,弄得一地都是废稿。有时忽然发现一篇好稿,就欣喜若狂。他说这种编辑方法是“绝处逢生”。陈登科的《活人塘》就是这样发现的。有次实在没有好稿,康濯就说:“老赵,你自己来一篇吧!”赵树理关上门,写出了一篇名著《登记》(即《罗汉钱》)。
    F. 赵树理吃食很随便,随便看到路边的一个小饭摊,坐下来就吃。后来是胡乔木同志跟他说:“你这么乱吃,不安全,也不卫生。”他才有点选择。他爱喝酒。每天晚上要到霞公府间壁一条胡同的馄饨摊上,来二三两酒,一碟猪头肉,吃两个芝麻烧饼,喝一碗馄饨。他和老舍感情很好。每年老舍要在家里请市文联的干部两次客。一次是菊花开的时候,赏菊。一次是腊月二十三,老舍的生日。赵树理必到,喝酒,划拳。老赵划拳与众不同,两只手出拳,左右开弓(double flank shots),一会儿用左手,一会儿用右手。老舍摸不清老赵的拳路,常常败北。
    G. 赵树理很有幽默感。赵树理的幽默和老舍的幽默不同。老舍的幽默是市民式的幽默,赵树理的幽默是农民式的幽默。他爱给他的小说里的人起外号:翻得高、糊涂涂……他写的散文中有一个国民党小军官爱训话,训话中爱用“所以”,而把“所以”联读成为“水”,于是农民听起来很奇怪:他干嘛老说“水”呀?他写的“催租吏”为了“显派”,戴了一副红玻璃的眼镜,眼镜度数不对,深一脚浅一脚地在农村的土路上走。他抨击时事,也往往以幽默的语言出之。有一个时期,很多作品对农村情况多粉饰夸张,他回乡住了一阵,回来做报告,说农村的情况不像许多作品描写得那样好,农民还很苦,城乡差别还很大,说,我这块表,在农村可以买五头毛驴,这是块“五驴表”!他因此受到批评。
    H. 【注】①起霸:戏曲表演程式之一,即武将上阵前所做的整盔、束甲等一套舞蹈动作。②揸:把手指伸张开。
    I. 下列对赵树理才气的表述,不符合原文意思的一项是(3分)
    J. 赵树理喜爱民间戏曲,唱念做打样样都会,一个人能演活一台戏。
    K. 赵树理的字写得好,是欧体字的底子,结体也很有个性。
    L. 赵树理写东西从不起草,考虑成熟,一气呵成,稿子非常干净。
    M. 赵树理文学眼光独到,有时能使被弃置的好稿起死回生。

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